📮 David Lynch: The Unified Field by Robert Cozzolino (.PDF)(.CBR)

David Lynch was internationally renowned as a filmmaker, but it is less known that he began his creative life as a visual artist and maintained a devoted studio practice, developing an extensive body of painting, prints, photography and drawing. Featuring work from all periods of Lynch's career, this book documents Lynch's first major museum exhibition in the United States, bringing together works held in American and European collections and from the artist's studio. Much like his movies, many of Lynch's artworks revolve around suggestions of violence, dark humor and mystery, conveying an air of the uncanny. This is often conveyed through the addition of text, wildly distorted forms and disturbances in the paint fields that surround or envelop his figures. While a few relate to his film projects, most are independent works of art that reveal a parallel trajectory. Organized in close collaboration with the artist, David Lynch: The Unified Field brings together ninety-five paintings, drawings and prints from 1965 to the present, often unified by the recurring motif of the home as a site of violence, memories and passion. Other works explore the odd, tender and mincing aspects of relationships. Highlighting many works that have rarely been seen in public, including early work from his critical years in Philadelphia, this catalog offers a substantial response to dealer Leo Castelli's comment when he enthusiastically viewed Lynch's work in 1987: ''I would like to know how he got to this point; he cannot be born out of the head of Zeus''.

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